Tuesday, March 25, 2014
Project Overview:
The concept: to layer meanings,
to merge new and old processes,
to engage the viewer in active participation rather than
simply passive on looking
to create a collage using print media and double-entendres
The Binding (Map Book):
By using a government document, I wanted to connect water
issues with federal agencies. I used and
aerial flight map of Florida for several reasons. First, I wanted to get a
bird’s eye view of the topic- to connect to water from a different perspective.
Second, the aerial mapbook’s proper name is U.S. Terminal
Procedures Publication. Figuratively, Industry and policy combine to create an
environment where our cultural practices with water is, in fact a “terminal
procedure”. Without intervention our waterways and the life dependent on the
waterways will be at great risk. In many
regards, our environmental water policy is a terminal procedure.
Third, Miami is often cited as one of the most vulnerable
cities with regards to water issues. It
is victim to many hurricanes and its water table can easily get flooded with
salt water—affecting the drinking water. The Everglades, which is technically a
low wide river, is at risk.
Finally, the map is from 2012. This is 110 years from the
film I deconstructed.
Deconstruction and Content:
I wanted to deconstruct a film and create an old flip
book—something that instead of just watching a film, you have to put your hands
on to make it work. The viewer has to
participate or there will no longer be anything to view. The picture stops. To work the flipbook, is an imperfect act. Similarly, there are unexpected pauses in the
less than perfect work we do. It can be slow.
It can stop but we need to see the storyline to the end.
I deconstructed an early film of Hawaii 1902. Children are diving from a pier. As they
frolic in the water, boats pass by them in the harbor. Industry and people using clean water
together. There is one hesitant
boy. He won’t jump. He is too frightened to participate. All the
other children have entered the water.
They pass him as he stands nervously on the edge, afraid to enter the
water. In the last frame, he jumps.
This wordless story line symbolizes my view on the need for
participation and harmony.
This parallels my perception of the need for actual hands on
work to rehabilitate our water and waterways.
If we do not put our hands to working with policy and
pollutions, there will be nothing left to see. And in the end, we all must get
into the water.
Saturday, March 22, 2014
References
Adams, T. (2007, March 10).
Natural talent. The Guardian,
DOI: http://www.theguardian.com/artanddesign/2007/mar/11/art.features3
Brophy, S. & Wylie, E.
(2014, March). Sea change. Museum , 93(2), 35-41.
Carson, R. (1962). The
Silent Stream. Houghton Mifflin Harcourt.
Goldsworthy , A. (n.d.). Good reads . Retrieved from https://www.goodreads.com/author/quotes/34070.Andy_Goldsworthy
Harold. (2014, March 18). Interview by L. Rushton []. Weatherford.
Loftis, R. L. (2010, January
13). Trinity river among the most polluted waters in texas. The Dallas
Morning News, Retrieved from http://www.dallasnews.com/news/state/headlines/20100113-Trinity-River-among-most-polluted-waters-3200.ece
Muir, J. (1918). A Thousand
Mile Walk to the Gulf. Mariner.
Plushnick-Masti, R. (2013,
January 13). Epa backed off weatherford water contamination. The Dallas
Morning News, Retrieved from http://www.dallasnews.com/news/state/headlines/20130116-epa-backed-off-weatherford-water-contamination-probe-after-gas-drilling-company-protested.ece
Smith, S. (2012, March 22).
Texas waterways are nation’s fourth most polluted, Texas Monthly,
Retrieved from http://www.texasmonthly.com/story/texas-waterways-are-nation’s-fourth-most-polluted
Texas commission on the
environmental quality. (2013). Retrieved from http://www.tceq.state.tx.us 2013.
Saturday, March 15, 2014
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